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You can of course layer vocal chops with other synths and samples but, with the right processing, they can be standalone features of your music. The beauty of vocal chops is that they can be fast or slow, high or low, snappy or delayed, round or squared, purple or blue, whatever it takes to light the spark and lift your tracks to another level. When creating vocal chops, it’s important to keep an open mind – the results can be completely unexpected. If you can’t access any, check out the Vocal Map included in FL Studio.
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It doesn’t have to be the full song – a single chorus, verse or even sentence is enough. Here, however, we advise that you begin by using a clean a capella version of a song you know and like. Practically any audio will do – and the vocal doesn’t even have to be clean, though it will help. You could use a straight-laced recording of your own voice, a daft voice clip from a friend, or audio of a sibling screaming obscenities at you. Try and apply them to any and every one you can find – the biggest sample treasures are often found in the unlikeliest of places. The techniques we’re exploring in this tutorial can be applied to any vocal. Fresh startĪny vocal or a capella that you can source from the real world or the web can form the starting point for characterful vocal chops. The biggest reggaeton hit of 2017, Mi Gente by J Balvin and Willy William, is characterised by its catchy vocal-chop melody. Vocal chops are used frequently in dubstep, as well as wider subgenres of EDM such as future house, and big-name producers such as Martin Garrix and Diplo have used the method to spice up their songs. The electronic producer still incorporates vocal chops in his productions today, just listen to his 2019 track Mumbai Power. For example, the main vocal of Three Six Mafia’s 2008 rap hit Stay Fly featured a stutter, and Skrillex’s 2010 global smash Scary Monsters And Nice Sprites exposed the world not only to dubstep but to vocal chops too. Over the past 10 to 15 years, vocal chops have cropped up in multiple genres and featured in many chart-topping songs. Though vocal chops were not nearly as prominent in the 1980s as they are today, the VSS-30 made it possible and, as a result, the keyboard is still highly regarded by modern-day producers. Users could therefore record and modify their own voice and implement the resulting clips in their melodies. The product allowed users to record two-second clips of any sound and play them back instantly. One of the most notable came in 1987, when Yamaha released its VSS-30 Digital Voice Sampler. In the 1980s, multiple companies released keyboards that could record and manipulate sounds and voices. We can, however, point towards a few important milestones. Both are reasonable arguments but the moment the technique was pioneered in a music-production context is more difficult to pinpoint still. You might instead state that vocal chops were born in 1876, when Alexander Graham Bell invented the microphone. You could argue that the origins of vocal chops came in 1857, at the very moment mankind successfully proved it could record sounds.